I'm big on measuring the passage of time by the seasons and I don't necessarily mean spring, summer, fall, winter. In my head I still see things through that liturgical seasonal lens that became ingrained in me when I directed children's programming at a church. Those seasons are what many people call holidays along with those segments of time that connect them. That lens is layered with my personal seasons ... the season of youth, of marrying, divorcing, single parenting, this season of finding my life and enjoying it.
The "holiday" season, or for me, Advent/Christmas has so many aspects that are important to me and help to both punctuate the year and open the next chapter that I consider it the most important time in my life. Years ago Advent would have been filled with children's activities at church with the obligatory culminating Christmas pageant. Christmas was completely family time with people gathering from several corners of the world.
A couple of years ago my life became more completely my own (grown children don't need me as much these days and I have one job instead of two). I discovered the extraordinary musician, Gavin DeGraw and a whole new world opened up. I've written about it many times in this space. The music provided the impetus I needed to get on the path to healthier (in every sense) living. His songs enabled me to dream again. And the connections I made with other fans have enriched my life in innumerable ways.
Each of the last three years I've seen Gavin perform at least twice in December. A headlining show, every year at The Paramount Theater in Huntington, Long Island and one or two radio shows whether in New York or elsewhere like Connecticut or Massachusetts. Each of these shows have been shared with the friends I've made at concerts or through Twitter. "The Paramount shows," as we call them, in particular attract fans from far and wide and feel like some sort of annual gathering of the clan as we meet up in New York, take pictures with "the tree" (Rockefeller Center's famous icon), eat, drink and make merry. Then we all head out to Long Island and stand in line for hours and hours in order to get to the coveted front row. This year a few of my friends are staying with me for a 4-day round of music and merry-making. Our agenda for Wednesday through Saturday consists of seeing Gavin DeGraw at the Beacon Theater on Wednesday night (one of several guests at Fresh 102.7's Holiday Jam), the annual gathering at the the Paramount Theater on Long Island on Thursday, a little R&R on Friday and a day in the the City on Saturday with an Ernie Halter show at the Rockwood Music Hall on Saturday.
Brenda and I drive into New York around noonish on Wednesday. Phyllis and Victoria will meet us closer to showtime. It's a rainy slushy yucky sort of day and I'm immediately thrown off when there is no parking at Port Authority. Finding parking in New York on matinee day in December wasn't something that I'd figured into the plan but after a couple (panicky) trips around several blocks we happened on a 24-hour lot (which turned out to be a wonderful thing--more later) not too far away, still in midtown.
We make our way to Bryant Park, our third Christmastime visit there and head for Celsius, the pop-up restaurant that has returned to our great delight. Delicious lunch followed by shopping and then a walk up Fifth Avenue to Rockefeller Center help pass the afternoon until concert time. We visit St. Patrick's Cathedral and Grand Central Station before walking back to Port Authority to pick up Victoria. Hailing a cab proved a nightmare but eventually we managed to get our ride uptown to the beautiful Beacon Theater. A quick dinner and then time to head over to the show. We met up with Teri and Jen, two more of our friends from out of town. Phyllis arrives just in time.| Not used to being this far away... |
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| Joey DeGraw, The Bitter End |
We'd found out a day or two earlier that Gavin's brother Joey DeGraw was going to perform again at The Bitter End tonight. So we bailed out of the rest of the show (Daughtry--oh well--and Train--that was a hard decision) to head down to the Village for Joey. We were joined by our friend Kim and Jen and Teri opted out of the radio show too. Joey's set was comprised of many of my favorites from his catalog and a surprise guest--Chris Barron of the Spin Doctors. We stayed until closing, chatting with the performers afterwards for a while.
It was after 1 AM when we retrieved the car and nearly 3:30 when we got back home. Snacking and a drink while we talked over the evening and then some sleep just as the sun was rising. And then we set out to do it all again.
The trip to Long Island should have taken about an hour and a half but we met a delay of about an hour due to an accident. I'm a planner and I get stressed when the plan doesn't work according to plan ... The Paramount is not a seated show so to insure front row you need to line up early. Each year we've been getting there earlier and earlier. I needn't have worried--there were only five people in front of us when we got there--with about five hours of waiting ahead of us; five really cold hours. The oddest thing about this annual frigid feet experience is that although we're completely frozen by the time the doors open, we pass the time so amiably in line (this year nearly 5 hours) ... catching up with each other and making new friends, taking pictures and going for food ... it goes by really quickly. At least it does for me. Jen and Teri are already there. Soon we were joined by more fan friends from Long Island, New Jersey and Pennsylvania. There we were from Denver to Buffalo to Long Island--this year's gathering at the Paramount.
The Paramount is a pretty small venue actually. But when the doors open, there is still territory to be covered and territory to be claimed. Once inside, there is the bottleneck while we are bracelet-ed by venue staff. Then a race up the stairs on either the right or the left. This is where you need to know where you want to land in front of the stage. Right stairs to land on the bass/drums side. Left stairs to be near the guitarist and keys. A lucky few will land right in the middle (like I did last year). This year I'm on the right, the James side, as we say.
I love being this close (i.e., nothing between me and the stage) for Gavin's shows. You cannot see the whole band altogether this way; that's the trade-off. But the immediacy and the ability to close out the rest of the room and become totally immersed in the moment and the music is more than worth it. Gavin covers the whole stage when he performs and doesn't stay in one place too long--except for at his his piano. We are all this close tonight ... spread across the front of the stage.
| Michael Baker - high energy. |
Friday was time for some much needed R&R. Sleeping in, a little mall madness, driving around to see the local crazy light shows and a Christmas movie filled the day. Good times and laughter in abundance made for some lovely memories. Again, I'm acutely aware of these blessings in the form of friendships that have come my way through Gavin DeGraw and his music.
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| Santas at the ATM |
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| Carousel, Bryant Park |
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| Ernie Halter at the Rockwood (Photo courtesy of Brenda Emerson) |
It was hard to say good bye on Sunday as real life and reality began to creep back in. Our brief New York music vacation was over. It had been four days of reminiscing over past concerts, renewing friendships and strengthening others, great food and the best music we know. The backdrop of New York at Christmas made it seem like a dream. And I will dream of it again ... until next year.
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| Set List, Paramount 2014 |





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